Date: Sept 20, 1986
Weeks: 3
Huey Lewis and the News are an underrated musical act in my opinion. There's something appealing about their style of pop/rock music. It's very fundamental and straightforward without being boring. It's also generally very bright and cheery, and fun.
This is one of the most relaxed and slow-tempo Huey Lewis songs that I know of, but somehow that just makes it more cheery and happy. That organ that accents the song really brings the mood up, but the bright drum and strummy guitar accents also help. Huey Lewis's voice sounds like he's singing through a smile. And even the backup singers sound bright and happy. The soundscape is well filled without getting crowded and full of extraneous instruments. I really enjoy the organ solo in the bridge, too. I can't really find much to criticize in the music. It's a pleasant, fun little song that is orchestrated perfectly.
"We are bound by all the rest. Like the same phone number, all the same friends, and the same address." This couple is saying they stay together because breaking up would be too much effort. And that sentiment could come across as the jaded, bitter rantings of someone whose relationship is over. But the chorus is "I'm so happy to be stuck with you." So it really comes across more as the kind of joke old married people tell when in truth, they wouldn't have it any other way. It's corny, and kind of a dumb idea for a song, but on the other hand it's not like any other song sentiment I've heard so far. Plus, Huey Lewis's voice is just happy enough to sell this concept.
My verdict: Like it. It just feels like a happy song, even if it's a little bit corny.
Showing posts with label Huey Lewis. Show all posts
Showing posts with label Huey Lewis. Show all posts
Wednesday, February 8, 2012
Wednesday, March 2, 2011
Song #587: "Say You, Say Me" by Lionel Richie
Date: Dec 21, 1985
Weeks: 4
I guess my random generator decided to start me off in the deep end of 80s soft synth-cheese. This song makes no apologies for the synthesized sounds. "Boing boing boing", it says, "I sound nothing like an acoustic guitar and it's the 80s so you love it!"
I can't say I've followed Lionel Richie much. He sings okay, but his generally soft style is hard to maintain interest in. And I don't know what he's singing about here. "Say you, say me. Say it together. Naturally." Does Lionel Richie want "you" and "me" to be "together"? Naturally? I guess the gist is that everybody's lonely and looking for a friend, but like a lot of pop songs, you really have to dig through some silly lyrics to glean the meaning.
Then there's a climax of overly poundy 80s drums which leads to... nothing. The bland chorus starts over. Those drums promised a crescendo and failed to deliver. And we nap through verse 2 which just says the same thing. Everybody's lonely and it sucks.
Then the bridge happens, and it suddenly gets awesome. The synth falls away and a rock guitar and drums pick up. The tempo picks up and Lionel gets excited. "The whole world's got you dancin'." I'm not sure about the whole world, but these 20 seconds have me dancing. "Believe in who you are, you are a shining star!" Forget the thing about being lonely, we're all awesome as we are! Woo!
Then the bridge ends, and we're back in slow synth lonesome land. What the heck was that? It's like the song got bored of itself and decided to switch to a different song both by and about people that are way more fun. Fortunately, it ends soon after that, but not before the boring part can sap away all the goodwill the good part generated.
I wish they'd thrown out the rest of the song and just expanded that bridge to 4 minutes. I only vaguely remember hearing this song in the past, and I don't remember that bridge at all. I must have tuned out during the boring parts and completely overlooked the part that actually rocked.
Watching the video, this song must be from a movie based on the all the clips used, but I don't remember this movie, and the only person I recognize is Gregory Hines. I'm going to feel bad about forgetting this piece of 80s pop culture after I look it up...
White Nights, starring Gregory Hines and Mikhail Baryshnikov. I didn't know Baryshnikov made a movie. I don't remember this movie at all. What else...
Oh geez.
This song won the Oscar for Best Song.
Are you crazy, 1985? Most years, I would have let that slide. But 1985 brought us Back to the Future, which contained "The Power of Love" by Huey Lewis (#576 on the Number Ones list). That song was everywhere and it was awesome. At least "The Power of Love" was nominated. But people actually sat down to compare these two songs and somehow concluded that "Say You, Say Me" was better.
Then again, that 20 seconds of bridge was pretty awesome.
My Verdict: Don't like it. 20 good seconds doesn't make up for the rest.
Weeks: 4
I guess my random generator decided to start me off in the deep end of 80s soft synth-cheese. This song makes no apologies for the synthesized sounds. "Boing boing boing", it says, "I sound nothing like an acoustic guitar and it's the 80s so you love it!"
I can't say I've followed Lionel Richie much. He sings okay, but his generally soft style is hard to maintain interest in. And I don't know what he's singing about here. "Say you, say me. Say it together. Naturally." Does Lionel Richie want "you" and "me" to be "together"? Naturally? I guess the gist is that everybody's lonely and looking for a friend, but like a lot of pop songs, you really have to dig through some silly lyrics to glean the meaning.
Then there's a climax of overly poundy 80s drums which leads to... nothing. The bland chorus starts over. Those drums promised a crescendo and failed to deliver. And we nap through verse 2 which just says the same thing. Everybody's lonely and it sucks.
Then the bridge happens, and it suddenly gets awesome. The synth falls away and a rock guitar and drums pick up. The tempo picks up and Lionel gets excited. "The whole world's got you dancin'." I'm not sure about the whole world, but these 20 seconds have me dancing. "Believe in who you are, you are a shining star!" Forget the thing about being lonely, we're all awesome as we are! Woo!
Then the bridge ends, and we're back in slow synth lonesome land. What the heck was that? It's like the song got bored of itself and decided to switch to a different song both by and about people that are way more fun. Fortunately, it ends soon after that, but not before the boring part can sap away all the goodwill the good part generated.
I wish they'd thrown out the rest of the song and just expanded that bridge to 4 minutes. I only vaguely remember hearing this song in the past, and I don't remember that bridge at all. I must have tuned out during the boring parts and completely overlooked the part that actually rocked.
Watching the video, this song must be from a movie based on the all the clips used, but I don't remember this movie, and the only person I recognize is Gregory Hines. I'm going to feel bad about forgetting this piece of 80s pop culture after I look it up...
White Nights, starring Gregory Hines and Mikhail Baryshnikov. I didn't know Baryshnikov made a movie. I don't remember this movie at all. What else...
Oh geez.
This song won the Oscar for Best Song.
Are you crazy, 1985? Most years, I would have let that slide. But 1985 brought us Back to the Future, which contained "The Power of Love" by Huey Lewis (#576 on the Number Ones list). That song was everywhere and it was awesome. At least "The Power of Love" was nominated. But people actually sat down to compare these two songs and somehow concluded that "Say You, Say Me" was better.
Then again, that 20 seconds of bridge was pretty awesome.
My Verdict: Don't like it. 20 good seconds doesn't make up for the rest.
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